Robinson: To be fair, every sketch has someone in it they want to leave. So obviously at that time you’re like, “And then one day I’m going to have a sketch show on Netflix.” But of the things you did on air, did you feel like “Oh, there’s something there”? Because it is a similar thing of “Here’s this guy, and I think they’re like ‘want him to leave.’” They’re like, “Stop singing!” and then he hits everything. It was one I used to do years ago in Chicago. And I think there’s maybe one sketch that felt most like I Think You Should Leave, which is where Jason Sudeikis plays John Tesh and you play his brother and you’re pitching executives at the NBA, pitching executives on an NBA and NBC theme song. There’s “Z Shirt,” there’s a sketch where you play real-estate agents complaining about vandalizing their posters. To just back up again to Tim’s first year, there are a few things that you got on the air, that I’m assuming you had a hand in. Schaffer: They’re falling into the stereotype. Robinson: You said “wild card.” I am not a wild card.
Robinson: I’m definitely not a wild card. Would you say that assessment is correct? I think there’s probably an assumption based on your backgrounds that Zach is sort of the structure and like more cerebral guy, and Tim as an improviser is more of a wild card, I think. I figured out that was the kind of thing I’d like to write. There was something about that guy, writing that guy who just had the stupidest idea and spending a billion dollars on it. Kanin: Calling it Titanic 2 and using all the same parts. Robinson: Yeah, he was building a replica of the Titanic. Zach Kanin: I think we maybe wrote one thing when you were in the cast, which was the “Weekend Update” where you played a guy who was … it was a real-life story about a guy who’s making a replica of the Titanic. Tim Robinson: We started writing together mostly my second year on SNL, when I got moved into the writing staff, which I think was a good decision. How and when did you start working together? Was there something specific you bonded over? And then how did you know it was a fit? Tim, coming from Second City Detroit and then Chicago, joined the cast in 2012. Zach, you’re coming from the Harvard Lampoon and working at the New Yorker.
#I think i should leave download
(You can download the episode from Apple Podcasts, Spotify, Stitcher, Overcast, or wherever you get your podcasts.) You can read a transcript of the conversation below, or listen to this week’s episode of Good One right here. But where did this sketch - and more important, this man - come from? How was the sketch written, shot, and edited? Those questions and so many more (like whether they shot anything else with Rabasa) were answered as part of the live oral history of the sketch that took place at Vulture Festival earlier this year. Of course, the sketch was “Focus Group,” one of the best of the decade, and that man was Ruben Rabasa, a Cuban-born working actor and one of the most memed men of 2019. The man suggests the car be “too small.” Robinson asks for any other ideas and, waving his hand in front of his nose, the man suggests “stinky.” A star was born. But then a mysterious man offers the idea of “a good steering wheel that doesn’t fly off while you’re driving.” Wait, what? A couple more ideas, then again: “A good steering wheel that doesn’t fly off your hand while you’re driving.” A couple more ideas. Co-creator Zach Kanin, playing Paul, suggests “Bluetooth capabilities.” Sure, fine. Midway through the third episode of I Think You Should Leave, Netflix’s summer sketch sensation, co-creator Tim Robinson asks a focus group for some ideas for Ford. I love it, but you may not and that's expected.I Think You Should Leave’s Tim Robinson, Zach Kanin, Akiva Schaffer, and Ruben Rabasa at Vulture Festival. It has a distinct voice, it's weird and strange in ways you forgot were possible, and it sticks for better or worse. Either way, at the very least this show does something different. I wake up from nightmares thinking about having to marry my mother in law (you'll get the reference soon). And the sketches I liked? I go back to over and over and over. I was always, for better or worse, interested to see where it was going, engrossed almost. As for me, all I can say it that even the sketches I thought were stupid or bad, I still couldn't look away. For some, you had no idea you needed this in your life. For some of you, it might be exactly what you're looking for. You need to know that this show has its finger on the pulse of Millennial/Gen Z humor. This is not a recommendation that will tell you you'll like it or not because I legitimately have not been able to predict it. This isn't one of those "It's not as bad as other people say, I liked it!" reviews.
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